Collage has always been " et l'indicateur de vérité" for the Post Modern discourse. Of course, this ignores its tradition firmly rooted in cubisme synthétique. Embedded in the PoMo, its trope signifies the pluralism of the "vieillir nous habitons en" - the age we live in. It brings to mind the quote, which its genesis sadly evades me:
"...the art work is a point of departure and arrival, in itself embarking and disembarking at its own shore.."
13 comments:
Shara Hughes@
Museum 52 Gallery
52 Redchurch Street
E2
Feels a bit Dexter Dalwood.
Collage has always been " et l'indicateur de vérité" for the Post Modern discourse. Of course, this ignores its tradition firmly rooted in cubisme synthétique. Embedded in the PoMo, its trope signifies the pluralism of the "vieillir nous habitons en" - the age we live in.
It brings to mind the quote, which its genesis sadly evades me:
"...the art work is a point of departure and arrival, in itself embarking and disembarking at its own shore.."
a hughes shared is a hughes halved
De chirico, anyone?
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